| latrodectus_mactans_productions | ||
| srealisma |
the irreplaceable daemon aka intenseaholic known as David Foster Wallace, which i can only read slowly saying all the while ok sure wait a sec while i get that: The Joke, B.S. Latrodectus Mactans Productions. Audience as reflexive cast; 35 mm. x 2 cameras; variable length; black and white; silent. Parody of Hollis Frampton's 'audience-specific events,' two Ikegami EC-35 video cameras in theater record the 'film' 's audience and project the resultant raster onto screen -- the theater audience watching itself watch itself get the obvious 'joke' and become increasingly self-conscious and uncomfortable and hostile supposedly comprises the film's involuted 'anti-narrative' flow. Incandenza's first truly controversial project, Film & Kartridge Kultur's Sperger credited it with 'unwittingly sounding the death knell of post-poststructural film in terms of sheer annoyance.' NONRECORDED MAGNETIC VIDEO SCREENABLE IN THEATER VENUE ONLY, NOW UNRELEASED. from the endnotes to Infinite Jest, proving the speed of light and cementing validation of post-poststructural annoyance. i mean, i'm annoyed. sure. of course i am. |
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